The Division of Fine and Performing Arts
of
BIRMINGHAM-SOUTHERN
COLLEGE
presents
performing
Fall Concert
The Sanctuary
Bluff Park United Methodist
Church
Sunday afternoon, 5:00 pm
October 20, 2002
The
Red Mountain Chamber Orchestra
The Red Mountain Chamber Orchestra exists to
educate and give pleasure to the public by performing a repertoire of classical
music not otherwise heard in Birmingham, as well as to provide a musical outlet
for skilled players, conductors, and soloists, both professional and amateur,
in the community. Because of our
chamber orchestra size, we are able to move about the area, playing in
different venues each season, thereby reaching a more diverse audience and
addressing ourselves more clearly to the needs and interests of the
community. Although completely
independent as to policies, the RMCO has for about a decade rehearsed and
performed at Birmingham-Southern College.
We are proud to be an adjunct of BSC's Division of Fine and Performing
Arts.
Founded 22 years ago, with the first
concert on November 2, 1980, the orchestra has always been based in Birmingham,
although some of the players come in from outlying communities and we perform
at least once a season outside the city.
With ages ranging from 15 to 80, the most veteran of us played in the
Birmingham Civic Symphony, and the youngest are students. All of us are bound together by a passion
that leads us to work on concert materials well before rehearsals for the sake
of the music. Although we include many physicians, a dentist, a physics
professor, and several band teachers, most of us studied our instruments
seriously in university music departments and at conservatories before finding
other sources of daily income.
We exist as a musical force because of
the support of many who like what we do.
We would like to take this opportunity to thank those who have, over the
years, given us the tools we needed to survive and flourish: Birmingham-Southern College, Samford
University, and the Unitarian Church, all of whom have given the orchestra a
home base across the years for rehearsals and performances; the Alabama State Council on the Arts, the
Birmingham Regional Arts Commission, and the private donors who have provided
financial support; area churches, libraries, and schools who have allowed us
rehearsal and performance space, especially the Birmingham Botanical Gardens
and the Birmingham Museum of Art; and
all of the conductors, soloists, and players who have given freely of their
time and talents to work with this orchestra.
Robert Wright, Conductor
Overture to Rosamunde, D 644 Franz Schubert
Andante 1797-1828
Allegro vivace
Concerto
for Clarinet in A Major, K 622 Wolfgang
A. Mozart
Allegro 1756-1791
Adagio
Rondo:
Allegro
Clarinet Soloist, Lori Neprud-Ardovino
Intermission
Symphony No. 1 in D Major
Charles Gounod
Allegro molto 1818-1893
Allegretto moderato
Scherzo: Non troppo presto
Adagio; Allegro vivace
The RMCO wishes to thank the Bluff Park United Methodist
Church and Reverend Reid Crotty for their gracious assistance with publicity,
rehearsal and performance space for this concert.
Please sign our registration book in the foyer so that we
may keep you informed of future RMCO concerts.
And check out our web site at http://www.rmco.org/. Thanks.
Rosamunde:
Overture, D. 64 – Franz Schubert
During little more than 15 years Schubert
produced an amount of music that has scarcely been equaled even by composers
who lived to a ripe old age. The
period, up to about 1818, which saw him making audacious experiments in
tonality and harmony within a basically Classical framework, is characterized
by unselfconscious vitality. But as he reached his twenties he seems to have
realized that his genius demanded something more of him than he had so far
achieved and the next few years found him, in every respect, much more
self-critical. He gained recognition as
a result of the publication of his songs and the singspiel Die Zwillingsbrüder and the
melodrama Die
Zauberharfe.
The work now known as the Rosamunde overture has a
complicated history. Its origins go
back to the D major Overture “in the Italian style”, of 1817, which was written
during the height of the Rossini craze in Vienna; when composing the music for Die
Zauberharfe in 1820, Schubert modified the Adagio introduction and
the Vivace code of this earlier work for use in his new (C major)
overture. The melodrama was a failure
and only survived a few performances, but the charming overture was well
received by the public. In 1827
Schubert published it, together with a selection from the incidental music to
the play Rosamunde
of 1823 as op. 26, and since then it has become generally known as the overture
to Rosamunde. This is its only connection to the play,
however.
Notes by Robert Wright
Clarinet
Concerto in A - Wolfgang A. Mozart
Mozart's
love of the clarinet began when he was a boy of seven. As a touring prodigy, he first heard the
instrument in the Mannheim Orchestra, then in London and Paris. Today's concerto was written for his friend,
the virtuoso Anton Stadler, a member of the Imperial Court Orchestra and fellow
Freemason. It was the last major work
from Mozart's pen before his death.
A
week after The
Magic Flute premiered he wrote his wife that he had orchestrated the
concerto.
The orchestral
introduction opens with a gently caressing theme in the strings. The clarinet solo sections all begin on a
dynamic and pitch level that brings out the almost velvety, sensuous tone of
the instrument. When the solo clarinet
takes up the theme the effect is gentler.
Touches of melancholy are never far away, even in the sunniest moments
of the lively first and third movements.
The slow movement
opens with a melody that must be one of the most beautiful ever written. It is sung by the solo clarinet without any
orchestral introduction. It is hard to
believe this seraphic melody is based on one of the most popular cliches of 18th
century classicism – a phrase used perhaps hundreds of times, by Mozart's contemporaries,
but never with this unexplainable magic.
Notes
by Oliver Roosevelt
Symphony No. 1 in D (1855) – Charles Gounod
In his mid-thirties, Gounod wrote two
symphonies that a highly inventive and blessedly light of touch. Things had not been going well for him. His second opera had failed and he was
thrown into turmoil. He sought comfort
in St. Augustine and contemplated the religious life. Then he cheered up and
wrote an Andante and a Scherzo which were performed at a Paris concert in
1855. Encouraged by the welcome they
received, he added two more movements to create a full symphony, which, given a
month later, was equally well received.
Gounod seemed to revel in the enjoyment of writing music simply to please
himself and the result is entirely charming.
The original Scherzo, now the third movement,
looks to Haydn for its brisk good humor, although the main influence suggests
Schumann. The orchestration sparkles and includes some enchanting passages for
the winds, together with a fugue that is remarkably well worked out.
Notes by Robert Wright
Our Conductor
Dr. ROBERT WRIGHT
is Coordinator of Vocal and Choral Music at the University of Montevallo. A native of Bessemer, he holds degrees from
Samford University, the University of South Florida, and the University of
Miami. He has been a highly successful
choral director in Alabama, Florida, South Dakota, and Tennessee, and was for
several seasons the Associate Conductor of the Tech Community Symphony Orchestra
in Cookeville, Tennessee. Dr. Wright
returned in 1996 to the Birmingham area after fourteen years as Director of
Vocal Activities at Tennessee Technological University, where his choir
performed to critical acclaim at state, regional, and national music
conventions.
Dr. Wright is active as a singer and
conductor and is a member of the American Choral Directors Association and
Music Educators National Conference as well as the Alabama Music Educators
Association and Alabama Vocal Association.
This is his fifth concert with the RMCO.
Our Soloist
Dr. LORI ARDOVINO
is Associate Professor at the University of Montevallo, where she teaches
clarinet, saxophone, music history, woodwind pedagogy, and is Director of Music
Graduate Studies. She performs with the
Faculty Woodwind Quintet, the Cahaba Saxophone Quartet, and is called upon to
play with such groups as the Alabama and Tuscaloosa Symphony Orchestras and
various pick-up ensembles. She is an
active clinician, recitalist, and adjudicator throughout the Southeast. Dr. Ardovino received her degrees from The
Conservatory of Music, University of Cincinnati, Michigan State, and Moorhead
State University. Dr. Ardovino is an
Artist/Clinician for the G. Leblanc Corporation.
Did
you enjoy today's program?
Contributions
are much needed by the Red Mountaineers for the purchase/rental
of music and other expenses. A cash
contribution would be appreciated. If
you have questions, call Suzanne Beaudry at 254-3774. We qualify as a non-profit organization under Chapter 401-C.
THE RED MOUNTAIN CHAMBER ORCHESTRA PLAYERS
First Violin Gwen
Knowlton Concertmaster Leslie
Cheng Katrine
Choate James
Farley Kimberly
Ferguson Jody
Haskins Heidi
Kapanka Willian
Neumeier Second Violin Dawn
Grant Principal Ilene
Brill Larry
Kallus Linda
Mahan David
Sherman Susan
Spaulding Charles
Tharp |
Viola Suzanne
Beaudry Principal Joanna
Bosko Marilyn
Pipkin Cello Jackie
McKinney Principal Daniel
Hallmark Carol
Leitner Dorinda
Smith Diedre
Vaughn Double Bass Kendall
Holman Principal Steve
Lewis Mike
Mahan Flute David
Agresti Don
Gilliland |
Oboe Lisa
Buck Brian
Van Tine Clarinet Ron
Peters Nicole
Selvidge Bassoon Jeremy
Arthur Richard
Murry Horn Ginny
Carroll Julie
McIntee Robin
Clemow Wendy
Marsh-Tootle Trumpet Dennis
Carroll Paul
Morton Trombone Alan
Brooks Timpani Danielle
Brown |
The
Red Mountain Chamber Orchestra Administration & Board
President Suzanne
Beaudry Vice
President Barry
Jackson Recording
Secretary Ilene
Brill Corresponding
Secretary Gwen
Knowlton Treasurer Kendall
Holman Librarian Kimberly
Ferguson Programs David
Agresti Founder Robert
Markush |
Consultants Leslie
Fillmer, Oliver
Roosevelt Stage
Managers, Web Masters Charles
Tharp, Daniel
Hallmark Members-at-Large Linda Mahan, Heidi Kapanka |
2002-2003 -
23nd Season of the RMCO - www.rmco.org
October 20, 5:00 pm, Fall Concert, in the Sanctuary,
Bluff Park United
Methodist Church (bpumc.org; 822-0910)
Robert Wright of
the University of Montevallo conducting
Schubert - Overture to Rosamunde D 644
Mozart - Clarinet Concerto K
622 in A Major,
Lori Neprud-Ardovino, Clarinet Soloist
Gounod - Symphony #1 in D
Major
November 24, 3:00 pm, Fall Concert
Homewood Public
Library (homewood.lib.al.us; 877-8661)
Howard
Goldstein, of Auburn University conducting
Delius - Two Pieces for Small Orchestra
Mozart - Symphonia Concertante K 320d in Eb Major,
Dawn Grant, Violin; Godehard Oepen, Viola
Fauré - Masques et Bergamasques, Op. 112
February 16, 3:00 pm, Whittington Competition
Winners
Hill Hall,
Birmingham-Southern College (bsc.edu;
226-4950)
Thomas
Gibbs of Birmingham-Southern conducting
Dorsey Whittington Concerto/Aria Competition winners
will perform as
soloists with the orchestra
April 6, 3:00 pm, A
"Suite" Concert, at St.
Stephens
Episcopal Church
(bham.net/st_stephen; 967-8786)
Todd Norton
of Jefferson State College conducting
Grieg - Holberg Suite
Handel - Water Music
Respighi - Ancient Airs and Dances
May 11, 3:00 pm, Mother's
Day concert, in the Ireland Room,
Birmingham Botanical
Gardens (bbgardens.org; 414-3961)
Music for small groups, by the Red Mountain Chamber Players
June 22, 3:00 pm, "Summer Solstice,"
in the Steiner Auditorium
Birmingham Museum of Art (artsbma.org; 254-2571)
Music for small groups, by the Red Mountain Chamber Players
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As always, admission is free ---