The Division of Fine and Performing Arts
of
BIRMINGHAM-SOUTHERN COLLEGE
and
The Department of Music
of
JACKSONVILLE STATE UNIVERSITY
present
"Mostly Mozart"
with
and
The Jacksonville State University
Chamber Orchestra
Auditorium, Anniston High School
Sunday afternoon, 3:00 pm
April 25, 1999
The
Red Mountain Chamber Orchestra
AMATEUR
(from amator, lover): one who engages in a pursuit ... as a pastime rather than
as a profession. -- Webster's Ninth New Collegiate Dictionary. The Red
Mountain Chamber Orchestra, founded 18 years ago, wears its amateur status
proudly. Its members typically number about 50. They include a physics
professor, an emergency room chief, two dentists, a CPA, several research
scientists, the head of the string education program at ASFA, and many band and
string teachers.
With
ages ranging from 17 to 79, the most veteran of us played in the Birmingham
Civic Symphony of the 1930's; the youngest of us are students at a university,
college, or high school in the area. All of us are bound together by a passion
that leads us to work on concert material well before rehearsals for the sake
of the music. Most of us studied our instruments seriously in university music
departments and at conservatories before finding other sources of daily income.
RMCO is
based in Birmingham, though with several members outside Jefferson County.
Although completely independent as to policies, we have for several years
rehearsed and performed at Birmingham-Southern College thanks to the generosity
of the College. We are proud to be an adjunct of the Birmingham-Southern
College Division of Fine and Performing Arts. We are grateful to Jacksonville
State University for the opportunity to combine with the Jax State players for
this concert.
We exist
as a musical force because of the support of many who like what we do. They
include not only 'Southern, but financial supporters such as the Alabama State
Council on the Arts and a number of private donors. RMCO would like to thank
Jim Pipkin for assisting with rehearsals for this concert. We are grateful to
Dr. Jan Hurd, Superintendent, Anniston City Schools, and to Dr. Sidney Brown,
Principal, Anniston High School, for making it possible for us to perform here.
And our volunteers. You know who you are.
The
Jacksonville State University Chamber Orchestra (JSUCO) is a college-community
orchestra founded in January 1994 by Dr. Victor Vallo, its Music Director.
Under the auspices of Jacksonville State University, JSUCO is primarily a
string ensemble that specializes in the music of the Baroque, Classical, and
early Romantic eras of music. It is open to all high school and college
students, JSU faculty and staff,and to all community members from the region.
Performances have included the annual Kaleidoscope series at JSU as well as at
various churches and community centers in the Jacksonville and Anniston areas.
For more information on membership, rehearsals, concerts, etc., please call the
JSU Music Department at 782-5559 or 782-5048.
Our conductor
VICTOR
VALLO is an Associate Professor of Music at Jacksonville State University,
where he is University Supervisor for Student Teaching (Music) and Music
Director of the JSU Chamber Orchestra, now in its 6th season. He holds a
Bachelor of Music Education from Syracuse University, a Master of Music from
George Washington University and a Ph.D. in Music Education with an emphasis in
orchestral conducting from the University of Florida.
Dr.
Vallo has been guest conductor and orchestral clinician for the Arkansas and
Alabama Music Educators Associations, where he is presently the President of
the Higher Education Division. He has conducted orchestras in Georgia, Florida,
Arkansas, and Alabama and is presently the Conductor of the Alabama Youth
Symphony (Alabama School of Fine Arts-M.O.P. Program).
Our soloists
Clarinetist
GREGORY BARRETT has been a member of the music department at Jacksonville State
University since 1996. He is a native of Buffalo, New York, and holds degrees
from Indiana, SUNY/Buffalo, and Northwestern Universities. His principal
teachers were James Pyne, James Campbell, and Clark Brody. Inspired by the
music of Jean Sibelius, Dr. Barrett has developed a wide-reaching interest in
Finnish music and culture. In 1992 the Finnish Ministry for Foreign Affairs
sponsored his research in Finland, which resulted in his dissertation on works
by three contemporary Finnish composers and a recording project for ALBA CDs, The
Finnish Clarinet. Dr. Barrett regularly performs with the Alabama Symphony
Orchestra and has been a member of orchestras in Indiana, North Carolina, and
Virginia. In 1998 he performed at the Finnish Embassy in Washington, D.C., and
at the International Clarinet Association's ClarinetFest '98.
Soprano
MELANIE WILLIAMS is assistant professor of voice and opera at the University of
Montevallo. She received her M.M. and D.M.A. in voice from Louisiana State
University, where she studied with Martina Arroyo. Dr. Williams has appeared as
a soloist with many orchestras and performed roles with opera companies
throughout the region. She most recently sang the role of Monica in the Alabama
OperaWorks production of Menotti's The Medium and was a guest artist
with the Arkansas Symphony for a Valentine's program of the music of Lerner
& Loewe.
The Jacksonville State University Chamber Orchestra Players
First Violin William Brazelton Donna Nichols Leigh Hemphill Janice Thomas David Sherman
Viola Cathy Minerich Peter Campbell |
Second Violin Carmine DiBiase Igor Bidikov Susie Francis Dempsey Jamie Carter Melissa Reaves Laura Weinkauf Hervey Folsom 'Cello Keith LaBenne Susan DiBiase |
Double Bass Emmy Hengeveld Chris Hosmer Bruce Schoenberger
Trombone Emmy Hengeveld Chris Hosmer Bruce Schoenberger |
THE RED MOUNTAIN CHAMBER ORCHESTRA
PLAYERS
First Violin Catherine Hunt Concertmaster April Broome Associate Concertmaster Kimberly Ferguson Melissa Johnson Second Violin Linda Mahan Principal Heidi Kapanka Ilene Brill Phil Wood Charles Tharp |
Viola Suzanne Beaudry Principal Karen Eastman Joanna Bosko Hermann Mann 'Cello Jackie McKinney Principal Dorinda Smith Bill Turner Carol Leitner Double Bass Kendall Holman Principal Mike Mahan Tympani Bill Moore |
Flute Don Gilliland Peggy Brooks Oboe Lisa Buck Brian van Tine Clarinet Ronald Peters Barry Jackson Bassoon Richard Murry Brenda Aiken Horn Julie McIntee Paul Antoon Trumpet Paul Morton Charles King |
The Jacksonville State University
Chamber Orchestra
and
Victor Vallo, Conductor
Overture to "The Magic
Flute" K. 620 Wolfgang A. Mozart
1756-1791
Clarinet Concerto K. 622 W. A.
Mozart
Gregory
Barrett, Clarinet
I. Allegro
II. Adagio
III. Rondo
---
Intermission ---
Exsultate, Jubilate (Motet) K. 165 W. A.
Mozart
Melanie
Williams, Soprano
I. Exsultate, jubilate
IV. Alleluia
Symphony No. 35
("Haffner") K. 385 W. A. Mozart
I. Allegro con spirito
II. Andante
III. Minuetto and Trio
IV. Presto
Overture to
"The Magic Flute"
Mozart finished his final opera on
September 28, 10 weeks before he died at the age of 35.
The Magic Flute is an entertaining pantomime-like tale
about a prince, attended by a comic bird-catcher, who is ultimately united in
an ideal marriage with a damsel formerly in distress.
It is also a serious allegory about
the nature of man and his search for harmony within himself. Both aspects are
heard in the Overture.
The very first three chords are
drawn from 18th century central European music from the Freemason rituals.
Betweenthese profound chords we hear a quick, carefree, almost frivolous theme.
Clarinet
Concerto in A
Mozart's
love of the clarinet began when he was a boy of seven. As a touring prodigy, he
first heard the instrument in the Mannheim Orchestra, then in London and Paris.
Today's concerto was written for his friend, the virtuoso Anton Stadler, a
member of the Imperial Court Orchestra and fellow Freemason. It was the last major
work from Mozart's pen before his death.
A week after The Magic Flute
premiered he wrote his wife that he had orchestrated the concerto.
The
orchestral introduction opens with a gently caressing theme in the strings. The
clarinet solo sections all begin on a dynamic and pitch level that brings out
the almost velvety, sensuous tone of the instrument. When the solo clarinet
takes up the theme the effect is gentler. Touches of melancholy are never far
away, even in the sunniest moments of the lively first and third movements.
The slow
movement opens with a melody that must be one of the most beautiful ever
written. It is sung by the solo clarinet without any orchestral introduction.
It is hard to believe this seraphic melody is based on one of the most popular
cliches of 18th century classicism – a phrase used perhaps hundreds of times,
by Mozart's contemporaries, but never with this unexplainable magic.
W.A.
Mozart: Exsultate, Jubilate
In
Mozart's day composers wrote sacred music as a matter of course. this motet,
written at age 16, depicts the Madonna. The opening exclamation is in the
Neapolitan style of opera. the finale is complete with virtuoso fioriture.
It was first performed by the "promo uomo" (the principal singer and
castrato) in 1773 in the Thiatine Church in Milan.
Symphony
No. 35, the Haffner
When
Salzburg's mayor Sigmund Haffner was elevated to the nobility, the town's
favorite son was asked to write a serenade for the festivities at the mayor's
mansion.
Six
months later the composer needed a new symphony in a hurry for a series of
concerts. He trimmed the serenade's six movements to four, and added flutes and
clarinets. The dignity of Mayor Haffner's new rank is depicted in the opening
theme of the first movement with its lordly octaves for the entire orchestra,
and the added pomp of kettledrums. The development section is richer and bolder
than was customary in light entertainment.
The slow
movement has the simpler graces of the serenade style, with its seductive
melodic lines of the violins. The minuet recalls Haydn, with vigorous peasant
dance inspiration.
Mozart
asked to have the finale performed as fast as possible. It is airy and witty.
Notes
by Oliver Roosevelt
Did you enjoy today's program?
Contributions
are much needed by the Red Mountaineers for the purchase/rental of music
and other expenses. A cash contribution would be appreciated. If you have
questions, call Suzanne Beaudry at 254-3774. We qualify as a non-profit
organization under Chapter 401-C.
Please sign our registration book
in the foyer so that we may keep you informed of future RMCO concerts. Thanks.
1998-1999 - 18th Season of the RMCO
October 18, 7
pm, Hill Hall, Birmingham-Southern College.
Tom Gibbs of Birmingham-Southern
College conducting.
Haydn, Symphony No. 82, The Bear
Tschaikovsky Piano Concerto, with
Ken Watson, soloist
November 22, 3
pm, Tyson Hall, Vestavia Hills Methodist.
Mark Ridings, music director,
Vestavia Hills Methodist Church and Birmingham Concert Chorale, conducting.
Tschaikovsky, Andante Cantabile,
from String Quartet, op. 11
Leopold Mozart, The Toy Symphony
January 23, Saturday, 7 pm, Trinity Methodist Church. Benefit
Concert for Lithuania, in conjunction with the General Global Ministries of the
Methodist Church. With members of the Magic City Orchestra
Steve Barnett of Minnesota Public
Radio, conducting
Butterfly Songs, by Jeanne Barnett
February 21, 3 pm, Auditorium, Altamont School.
Robert Wright of University of
Montevallo, conducting.
Beethoven, Symphony No. 8, op. 93,
in F
Mozart, Exultate, Jubulate,
and a work by J.C. Bach
April 25, 3
pm, Anniston High School, Anniston, AL.
Victor Vallo of Jacksonville State
University, conducting.
All-Mozart program, with the
strings of Jax State Orchestra
May 9, 3 pm, Birmingham Botanical Gardens,
upstairs in the Ireland Room.
A Mother's Day concert of small
ensemble works
May 23, 3:30 pm, location TBA.
A band concert by the Red Mountain
Symphonic Winds, conducted by Harry McAfee of Shades Valley High School.
June 23, 3 pm, Auditorium, Birmingham Museum of
Art.